What a deaf composer can teach us about sound

what a deaf composer can teach us about sound

On a Viennese winter’s night in 1808, audiences listened to Beethoven’s Symphony No. 5 for the first time. The first movement started out with 4 haunting notes in C minor: da-da-da-dunnn. Those ubiquitous four notes heralded Beethoven’s journey from darkness into light, culminating in the final movement with the happier-sounding key of C major. He…

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